Psychological studies in the early twentieth century linked excessive musicality to nascent homosexuality.
So where does the trope come from? In my book “The Rest Is Noise,” I argued that the “classical killer” image is rooted in the equation of Wagner and Hitler, but it undoubtedly goes deeper than that, down into murky old anxieties about masculine identity and the supposedly feminizing influence of what Theodore Roosevelt called “overcivilized” European culture.
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There is little evidence of such a predilection among real-life serial killers, who seem to prefer Black Sabbath, AC/DC, REO Speedwagon, and, of course, the Beatles. The tendency to associate classical music with murderous insanity is a curious neurosis of the American pop-cultural psyche. Although classical listeners sometimes make a sympathetic impression-“Moonstruck” and “The Shawshank Redemption” come to mind-for the most part they present a creepy gallery of repressive parents (“Shine”), pompous gangsters (“ The Untouchables”), sneering Bond villains (“ Moonraker,” “ The Spy Who Loved Me”), glum vampires (“ Interview with the Vampire,” “The Twilight Saga: New Moon”), kinky lunatics (“ A Clockwork Orange,” “The Killer Inside Me”), fastidious serial killers (“ The Silence of the Lambs,” “ Hannibal”), and Nazis galore (“ The Boys from Brazil,” “ Schindler’s List”). Alleged geniuses compose N.F.L.-highlights music. Pretend conductors flap their hands a beat or two behind the orchestra. Actors portraying violinists hold instruments in ways that would generate a toneless screech if they were actually playing. Typically, such scenes give a klutzy picture of musical life and come loaded with corrosive clichés. This scene is heart-stopping at best, but knowing that it was shot in a single long take without any edits makes it even more impressive to me.When classical-music fans hear that a new Hollywood production has a scene set at the opera or the symphony, they reflexively prepare to cringe. Problem is, there is a giant moving turbine and Ethan has to dodge as well as to swim against the strong current while opening the vault.
Watch out for the scene when Ethan Hunt tries to take off the ledger from the underwater safe. Alec Baldwin needs to return and be Ethan Hunt’s sidekick in the next film because that would be fun to watch. While I think Sean Harris makes a fine villain as Solomon Lane, I think we could do better in this department. Ving Rhames as Luther and Jeremy Renner as Brandt have their moments, but their characters are just there for the sake of being there. Simon Pegg returns as Benji Dunn, the goofy sidekick who has matured up in this movie. Her role as Isla Fraust is mysterious, sexy but not vulgar, and deadly. Where else, Rebecca Ferguson (who I remember from The White Queen) is amazing and probably the best female character in the MI franchise. Tom Cruise looks old in this film… but hey! he is still a bad ass. The IMF and CIA debacle gets pretty boring after a while and we need a better villain for the next installment. If I have any complains it would be regarding the plot. Although the action sequences are a mash-up of the previous Mission Impossible movies, I still find it entertaining. The scene in the train station is beautifully shot as well as the one with the British Prime Minister will guarantee to make you laugh. The action is equally crazy as in Ghost Protocol and the mission is still fun. Why? because I felt Rogue Nation serves its purpose as a spy/action movie. The first twenty minutes was a bit all over the place, but after the Morocco stunt I was sold. I was uncertain at first whether they can top or at least match Ghost Protocol, but director Christopher McQuarrie’s direction is very engaging. The fifth in the series, Mission Impossible – Rogue Nation is still a great action/spy movie.
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What is the reason behind this? How to stop the Syndicate? As if that jaw-dropping scene is not enough, they have to do a crazy motorcycle chase along Moroccan streets because Ilsa betrayed Ethan and took over the disk. Next they track down Ilsa to Morocco and learned about Syndicate’s boss, Solomon Lane, hidden ledger that made Ethan jumped into an underwater power station to secure it. After a few months, he then asked Benji to come to Vienna and together they stopped an assassination.
Ethan is captured in the beginning but escaped with the help of a mysterious woman, Ilsa Faust. In Rogue Nation Ethan Hunt and gang have to hunt down a secretive organized crime called the Syndicate, but as we know it the road will not be easy.